前身是皇軍(👷)軍(jun1 )港的吳(✒)港,戰後(hòu )成(🏽)為船塢(🔼)工人的生活煉獄(yù )。在資本家剝(bāo )削(xuē )(🔧)和枯燥生活的雙重煎熬下,躁動(dòng )的(😧)年輕(qīng )生命,一(🎲)頭栽進暴力漩渦,延擱(⚫)成(chéng )長,終日在打(dǎ )鬥(🛍)、賭博、酗酒中尋找暫時的(🏐)麻醉(zuì )(🐖)。吉(jí )田喜重(🎫)通過工頭(🍮)之眼,對不(🖍)合理的社會(🤯)現實(🐖)作出(🔊)欲迎還(🚢)拒的批判,被視為日本(běn )新(⏯)浪(😞)潮代表作之(zhī )一。香(🌊)山(㊗)美子飾演(yǎn )純真的酒(✋)館女(🏂)待,同(tóng )情工人(rén )卻(què )慘被強姦(jiān ),正(zhèng )與負的能量,在大時代(🤲)中比(⛳)拼互(hù )滲,可(kě )有超越對與錯,是(🧣)與非的位置?片(🤘)末火(❕)車站送別一(yī )場(🍑),在家和社會(huì )之間,吉(jí )(🏻)田喜重作(zuò )出了(le )左翼(yì )的選(xuǎn )擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
Copyright © 2008-2018